The Willows & The Wendigo by Algernon Blackwood (Heathen Edition)

The Willows + The Wendigo

At first it may not always be apparent, because the busy preparations of tent and cooking prevent, but with the first pause–after supper usually—it comes and announces itself. And the note of this willow-camp now became unmistakably plain to me; we were interlopers, trespassers; we were not welcomed. The sense of unfamiliarity grew upon me as I stood there watching. We touched the frontier of a region where our presence was resented. For a night’s lodging we might perhaps be tolerated; but for a prolonged and inquisitive stay—No! by all the gods of the trees and wilderness, no! We were the first human influences upon this island, and we were not wanted. The willows were against us.

Algernon Henry Blackwood (1869–1951) in his rich and varied lifetime was an English broadcasting narrator, Canadian farmer, New York newspaper reporter, hotel operator, journalist, bartender, secretary, mystic, teacher, adventurer, novelist, and short-story writer, and among the most prolific ghost story writers in the history of the genre. The son of a preacher, Blackwood rebelled against his strong Catholic upbringing and had a life-long interest in the supernatural, spiritualism, and the occult, later joining several occult societies. He was an avid lover of nature and the outdoors, which many of his stories reflect, especially two of his best-known works “The Willows,” in which two friends on a canoe trip become temporarily marooned on a river island only to discover the willow trees are not what they seem, and “The Wendigo,” where a Canadian hunting party encounters the mythical beast of legend – stories that led H.P. Lovecraft to praise Blackwood as “the one absolute and unquestioned master of weird atmosphere.”

Here, for your reading pleasure, we have collected two of Algernon Blackwood’s best-known weird short stories: “The Willows” and “The Wendigo.” Given that Blackwood was British, we have retained nearly all of the British spellings throughout. We have, however, updated several hyphenated words to reflect their modern usage, either dropping the hyphen entirely to form a single word or returning them to two separate words.

Additionally, we have added our customary footnotes where we felt they were needed. “The Willows” is a bit front-heavy with notes as Blackwood establishes geography, but they quickly thin out as the story progresses.

As a Foreword, we have included Grace Isabel Colbron’s 1915 essay Algernon Blackwood: An Appreciation, which we believe helps place his work into the proper context and perspective, especially if you are a first-time reader of Blackwood’s work. Work we believe feels surprisingly modern given that it’s over a century old! That said, has anyone else noticed that most authors that were members of the Hermetic Order of the Golden Dawn (Blackwood, Conan Doyle, Machen, Rohmer, Stoker, Yeats, et al.) all wielded the English language in such a way that it feels fresh and modern no matter what decade — or century — it’s read? Weird, indeed.

  • Heathenry: A Note on the Text
  • Algernon Blackwood: An Appreciation by Grace Isabel Colbron
  • The Willows
  • The Wendigo

“Algernon Blackwood, the greatest of them all.” — Peter Penzoldt, The Supernatural in Fiction

“The suspense of ‘The Willows’ is hard to match anywhere.” —E.F. Bleiler

“To many, including H.P. Lovecraft, ‘The Willows’ is the finest story in the canon of supernatural fiction. Blackwood himself is, arguably, the central figure in the British supernatural literature of the twentieth century.” —Michael Dirda, New York Review of Books

“Blackwood is incomparable, and if I were asked to name the most terrifying ghost story ever written my answer would be ‘The Wendigo.’” —L.T.C. Rolt

“Mr. Blackwood writes with a master’s art.” —The New York Times

“Algernon Blackwood has been little advertised, except by readers who have come under the spell of his unique literary personality. For sheer naked concentrated horror, unexplained and unexplainable, such tales as ‘The Wendigo’ and ‘The Willows’ may be said to lead among the stories of the supernatural.” —Grace Isabel Colbron, Algernon Blackwood: An Appreciation

“One of the most original writers in the line that descends from Edgar Allen Poe.” —Time

“. . . some of the finest spectral literature of this or any age. Of the quality of Mr. Blackwood’s genius there can be no dispute . . . he is the one absolute and unquestioned master of weird atmosphere. Foremost of all must be reckoned ‘The Willows.’ Here art and restraint in narrative reach their very highest development, and an impression of lasting poignancy is produced without a single strained passage or a single false note. Another amazingly potent tale is ‘The Wendigo’ . . . a marked triumph in craftsmanship.” —H.P. Lovecraft

Heathen Edition #19: The Willows + The Wendigo

Retail: $9.95
Published: May 1, 2021
Format: Paperback
Dimensions: 8.5 x 5.5 x 0.38 inches
Weight: 7.2 ounces
Cover: Matte Finish
Interior: Black & White on Cream Paper
Pages: 152 (+2 POD)
Language: English
Annotations: 45 Footnotes
Illustrations: 7

  • Title Page
  • Heathenry Flame
  • The Willows + The Wendigo Title Page
  • The Willows Title Page
  • The Wendigo Title Page
  • Honorary Heathen Headshot
  • End Title
  • ISBN-10: 1948316196
    ISBN-13: 9781948316194
    ASIN: 1948316196

  • Fiction / Short Stories
  • Fiction / Fantasy / Paranormal
  • Fiction / Horror
  • Author

    Algernon Blackwood


    Creepy AF

    First Edition

    1907, 1910

    Heathen Edition

    May 1, 2021

    Page Count