She did not move.
He turned to face her. The two vertical lines above his nose were deep clefts between red wales. “I don’t give a damn about your honesty,” he told her, trying to make himself speak calmly. “I don’t care what kind of tricks you’re up to, what your secrets are, but I’ve got to have something to show that you know what you’re doing.”
“I do know. Please believe that I do, and that it’s all for the best, and—”
“Show me,” he ordered. “I’m willing to help you. I’ve done what I could so far. If necessary I’ll go ahead blindfolded, but I can’t do it without more confidence in you than I’ve got now. You’ve got to convince me that you know what it’s all about, that you’re not simply fiddling around by guess and by God, hoping it’ll come out all right somehow in the end.”
“Can’t you trust me just a little longer?”
Samuel Dashiell Hammett (1894–1961) was an American author widely recognized as the trailblazer of hard‑boiled detective fiction with his unsentimental, breakneck storytelling chock‑full of fast‑paced, slangy dialogue and abrupt, explosive violence. In 1930 he published The Maltese Falcon, the novel that sharpened the genre to a lethal point, unveiling Sam Spade — a private eye with a moral code all his own and a talent for keeping his face as unreadable as a blank ledger. In a San Francisco where every kindness is a setup and every partnership is a temporary convenience, he’s hired to track down a missing woman, a search that spirals into a deadly hunt for a legendary falcon statuette, drawing Spade into the orbit of a trio of schemers whose charm is as dangerous as their desperation, each willing to lie, bleed, or kill for a chance to touch its promise. As the bodies stack up, the prize proves as treacherous as the people chasing it, and Spade must navigate a maze of deceit where survival means nothing if it costs him the one thing worse than death — being played for a fool.
Test Your Might
Coming soon . . .
“The Maltese Falcon was one of the best books of its kind ever written. It struck the publishing world and the reading world — which is something entirely distinct from the literary world — like a thunderclap. Nothing has been the same since.” —John Crosby, New York Herald Tribune
“A knockout detective is Sam Spade.” —The Boston Globe
“We want to go on record as saying that this story is a marvelous piece of writing — the finest detective story it has ever been our privilege to read in book form, in any magazine of any kind, or in manuscript. Don’t miss it.” —Joseph Shaw, editor of Black Mask
“[Hammett] writes with a lead-pipe and poisoned arrows as coups de grace. He stands alone as ace shocker . . . And now The Maltese Falcon, a button-button-who’s-got-the-falcon? of San Francisco. It is everything you want . . . The writing is better than Hemingway.” —Ted Shane, Judge
“The sheer force of Hammett’s hard, brittle writing lifts the book out of the general run of crime spasms and places it aloof and alone as a brave chronicle of a hard-boiled man, unscrupulous, conscienceless, unique.” —John G. Neihardt, St. Louis Post-Dispatch
“The best detective story America has yet produced.” —Alexander Woolcott
“There are detective-story writers, and then there is Dashiell Hammett. I can think of no one in the world who is his match . . . The book is written with the snap and bite of a whiplash . . . The Maltese Falcon has a thousand virtues, of observation, of detail, of nuance, and of effect.” —Elrick B. Davis, The Cleveland Press
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