“I have often been told that my style of illustration borders a little on the absurd. But let us see if we cannot place the matter in another point of view, by inquiring what can be a man’s state of mind who resolves to free himself from the burden of life—a burden often so pleasant to bear—for we cannot otherwise reason fairly upon the subject.
“Human nature,” I continued, “has its limits. It is able to endure a certain degree of joy, sorrow, and pain, but becomes annihilated as soon as this measure is exceeded. The question, therefore, is, not whether a man is strong or weak, but whether he is able to endure the measure of his sufferings. The suffering may be moral or physical; and in my opinion it is just as absurd to call a man a coward who destroys himself, as to call a man a coward who dies of a malignant fever.”
“Paradox, all paradox!” exclaimed Albert.
Johann Wolfgang von Goethe (1749–1832) was a German polymath widely regarded as the most influential writer in the German language, whose wide-ranging influence as a poet, playwright, novelist, scientist, statesman, and critic persists on the Western world’s literary, political, and philosophical thought. In 1774, he published his first novel The Sorrows of Young Werther, a semi-autobiographical epistolary work — emphasis on pistol — that presents the confessions of the alienated and romantic Werther, who has fallen madly in love with Charlotte, who is to be married to Albert: a certainty that propels young Werther to an irrevocable conclusion. Considered the first great tragic masterpiece of European literature, Werther‘s youthful angst was catapulted to immediate success and lives on as relevant and heartbreaking as when it was first written.
Test Your Might
Coming soon . . .
“Johann Wolfgang von Goethe’s The Sorrows of Young Werther is the prototypical cult novel of all time.” —Thomas Reed Whissen, Classic Cult Fiction
“The world at once took possession of The Sorrows of Young Werther and it took possession of the world . . . [it was] the spark that fell into the powder keg causing the sudden expansion of forces that had been waiting release.” —Thomas Mann
“The novel’s romantic sensibilities struck a chord among the youth of Europe, who admired it with a cult-like fervor.” —Nicholas J. Karolides, 100 Banned Books
“I categorically say: read The Sorrows of Young Werther!” —Franz Kafka
“Throughout Europe, so many young men shot themselves while dressed as Werther and seated at their writing desks with an open copy of The Sorrows of Young Werther in front of them that the book was banned in Italy, Germany, and Denmark.” —Loren Coleman, The Copycat Effect
“Werther appeared to seize the hearts of men in all quarters of the world, and to utter for them the word which they had long been waiting to hear.” —Thomas Carlyle
“Dealing with depression because of his unrequited love, Goethe wrote the epistolary novel The Sorrows of Young Werther, an inspiration for many Romantics. It proved cathartic for him, but started a cult of morbidity and a series of suicides among impressionable young men, who felt they suffered as had Werther.” —Joanne Schneider, The Age of Romanticism
“Significantly thus, in Mary Shelley’s work, The Sorrows of Young Werther turns out to be one of the few books on the syllabus for Frankenstein’s monster to read in his hovel, so as to become precisely human.” —Barbara Johnson, A Life with Mary Shelley
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