The Black Monk by Anton Chekhov (Heathen Short)

The Black Monk

Heathen Short #13
Author
Anton Chekhov
Translator
Constance Garnett
First Edition
1894
Heathen Edition
2025
Refreshed
Pages
54
Heathen Genera
Arriving Soon-ish, Existentialicious
ISBN
979-8-90075-013-2

Kovrin stood still in amazement. From the horizon there rose up to the sky, like a whirlwind or a waterspout, a tall black column. Its outline was indistinct, but from the first instant it could be seen that it was not standing still, but moving with fearful rapidity, moving straight toward Kovrin, and the nearer it came the smaller and the more distinct it was. Kovrin moved aside into the rye to make way for it, and only just had time to do so.

A monk, dressed in black, with a gray head and black eyebrows, his arms crossed over his breast, floated by him . . . His bare feet did not touch the earth. After he had floated twenty feet beyond him, he looked round at Kovrin, and nodded to him with a friendly but sly smile. But what a pale, fearfully pale, thin face! Beginning to grow larger again, he flew across the river, collided noiselessly with the clay bank and pines, and passing through them, vanished like smoke.

Anton Pavlovich Chekhov (1860–1904) was a Russian playwright and author, widely considered one of the greatest writers of all time. In his psychospiritual parable “The Black Monk,” Chekhov explores the fragile boundary between genius and madness. Andrey Kovrin’s retreat to a tranquil estate leads to ecstatic visions of a mysterious black-robed monk who affirms his divine purpose and intellectual superiority, fueling a manic euphoria that strains his health and relationships. When his wife intervenes — diagnosing delusion and demanding a cure — the treatment silences the vision. As the specter fades, Kovrin is left disillusioned, spiritually vacant, and creatively barren, his brilliance extinguished by the very remedy meant to restore him. Blending psychological realism with symbolic mysticism, Chekhov crafts a cautionary tale about the seduction of grandeur and the peril of outsourcing one’s sanity — of letting others dictate the terms of your spiritual reality — and reveals how the suppression of visionary ecstasy can become its own quiet death.

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"On the highest plane of imaginative invention."
George Sampson
The Bookman

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